The circus arts CV has a gap that most other performing arts don’t: the terminology gap. A booker who needs “aerial silks” will not book an “aerialist” without knowing specifically what apparatus they perform. They need to know the act’s rigging requirements, safety compliance, and practical logistics before the conversation even starts.
This guide covers how to present your discipline precisely, what technical information belongs on your profile, and how the circus market works across cruise ships, festivals, corporate events, and touring shows.
Apparatus Specificity Is Critical
“Aerial” is not a discipline. It is a category that contains dozens of distinct acts requiring completely different rigging, space, and production requirements. A booker planning a show needs to know which apparatus you perform.
Aerial Silks
Aerial fabric, aerial tissue
Aerial Hoop
Lyra, cerceaux
Aerial Straps
Bungee, slings
Static / Flying Trapeze
Note if you perform both or just one
Spanish Web
Aerial rope with foot loop
Corde Lisse
Aerial rope
Cloud Swing
Aerial hammock variation
Dual / Trio Apparatus
Note if apparatus supports multiple performers
List every apparatus you perform at a professional level. If you can perform multiple, that is a selling point — a performer who does both silks and hoop can fill two different slots in a show.
Aerial Artists: What Else Belongs on Your Profile
Beyond the apparatus list, aerial artists need to communicate:
Rigging point height requirement
Minimum and preferred height from stage floor to rigging point. This eliminates venues that can't accommodate your act before anyone wastes time.
Rigging load rating
The working load your apparatus requires. This is a practical logistics question, not a performance question — but it affects whether a venue can book you.
Stage space needed
Clearance required around the apparatus, especially for silks and duo acts with extended movements.
Drop length for silks
Relevant for venues with low ceilings — your 6m drop may not fit a 5m stage.
Ground vs aerial combination acts
If your act includes a ground-based opening or transition, note this explicitly.
Acrobatics and Ground Acts
Ground-based circus disciplines have their own specificity requirements:
For hand-to-hand and adagio acts, include the height and weight of both partners. Casting a duo requires compatibility, and bookers or choreographers building shows need to know the physical match upfront.
Photos for Circus Acts: The Mid-Air Standard
For aerial and acrobatic acts, a static portrait or costume shot is almost always the wrong choice for a hero photo. A booker looking for an aerial silk act wants to see you in the silk, in a characteristic pose, with good production quality.
What makes a strong circus act photo:
- —In the apparatus or at the climax of an acrobatic move
- —Professional lighting — not a gym or rehearsal space with fluorescent overhead light
- —Full body visible — range of movement is part of what's being evaluated
- —Costume that represents the act as it actually appears on stage
- —For duo acts: both performers in frame, showing the partnership
If you perform multiple apparatus or disciplines, include at least one photo per apparatus in your gallery. A performer who lists silks and hoop but only has silks photos creates doubt about whether the hoop act is actually performance-ready.
Video: Full Act vs Highlights
For circus acts, there is a specific question: should you show the full act or a highlights reel?
The answer depends on what you’re targeting:
For a highlights reel (1–2 min)
Best for initial profile — shows the strongest moments across your repertoire. Used for all general marketing: your PerformerCV profile, agency submissions, general inquiries.
For a full act recording
Best as supplementary material for bookers who shortlist you. Cruise lines and touring show producers often want to see a complete act — 6–8 minutes uncut — to assess pacing and audience interaction. Add as a YouTube link on your profile.
Ideally: both. A short highlights reel as the primary upload, a full-act YouTube link as supplementary. Let the booker decide how deep they want to go.
A common reel mistake
A highlight reel cut purely as a montage of individual tricks — a catch, a drop, a pose, a spin, repeat — makes it impossible for a booker to evaluate the act as a whole: the flow, the pacing, the physical condition, the stage presence, the audience connection. When every clip is under 2 seconds, nothing is visible beyond the isolated moment.
Include at least one continuous section of at least 20 seconds — uncut. A sequence from a live show, a full combination, or a clean rehearsal run-through. This is what allows a booker to actually assess the act and make a booking decision.
Safety Certifications: Don’t Leave These Out
Safety documentation affects bookability, particularly for rigged aerial acts and fire performers. Including it signals professionalism and removes a logistical hurdle before it becomes a conversation.
- —First Aid / CPR certification — basic and widely expected
- —Public Liability Insurance — many event venues and cruise lines require proof of PLI before booking
- —Rigging certification (IRATA, SPRAT, or equivalent) — relevant if you rig your own apparatus
- —STCW Basic Safety Training — required for all cruise ship employment
- —ENG1 medical fitness certificate — required for cruise ship employment
- —Fire safety training — for fire acts, confirm local compliance (varies by country)
List these in the Certificates section of your profile with issuer and expiry date. Don’t just say “first aid certified” — say “First Aid (Red Cross, valid until March 2027).” The specificity makes the claim credible.
Tech Rider on Your Profile: Why It Belongs There
Most performers put their tech rider in a separate PDF sent after interest is expressed. This creates friction. Bookers who can’t quickly assess whether a venue can accommodate an act will often move to a more obviously feasible option.
What to include in a brief technical note on your profile (your custom block is the right place for this):
- —Minimum rigging point height (e.g. '7m from stage floor minimum, 9m preferred')
- —Maximum rigging load (e.g. 'working load: 200kg / two points')
- —Stage footprint needed (e.g. '5m × 5m clear performance area')
- —Power requirements if using lighting or effects
- —Approximate running time of the act
- —Changeover time if multiple acts
This saves time for everyone and positions you as a professional who understands production logistics — not just an artist who performs.
The Cruise Ship Market: Specific Requirements
Cruise lines represent one of the largest sustained markets for circus and aerial artists. Contract lengths range from 4 to 9 months. The requirements are specific and non-negotiable.
What cruise lines require (all of these)
- —STCW Basic Safety Training — 5-day course covering fire, survival craft, first aid, and security
- —ENG1 medical fitness certificate — issued by approved seafarer medical examiner
- —Valid passport with sufficient validity for the contract period plus 6 months
- —Appropriate visas for the ports of call (usually depends on your nationality)
- —Criminal background check (some lines require this pre-boarding)
For aerial acts specifically: cruise ship theatres vary significantly in rigging capacity. Some have dedicated aerial rigging systems; others have none. Knowing which lines have rigging infrastructure relevant to your apparatus is worth researching before applying — but your profile should be explicit about your rigging requirements so mismatches surface early.
Partner and Group Acts
If you perform as a duo, trio, or group act, your profile should represent the act — not just you as an individual within it.
- —Use the act name as the CV title (e.g. 'Duo Vertigo — Aerial Silks & Hand to Hand')
- —Include a bio for each member separately, plus a group bio describing the act
- —Photos should include both/all performers — individual shots plus the act together
- —For hand-to-hand and adagio: include height and weight of both partners in specs
- —For aerial duo: note whether the apparatus is purpose-built for two or adapted
- —Experience entries should reflect the act's credits, not individual credits prior to the partnership
Common Circus CV Mistakes
Listing 'aerial' without naming the apparatus
Silks, hoop, straps, trapeze — always specify. 'Aerial' alone tells a booker almost nothing.
Missing rigging specifications
A booker who can't quickly assess whether a venue fits your act will move to someone whose requirements are clear.
No safety certifications listed
For rigged acts and cruise ship applicants, this is expected. Not listing them creates doubt, not neutrality.
Studio rehearsal footage as the only video
If possible, use performance footage. If not, ensure the rehearsal footage is shot well — clean background, proper lighting, full body visible.
Partner acts presenting individual profiles only
Present the act. Bookers are booking the duo, not two individual performers.
Built for circus artists
Create your circus CV free
PerformerCV supports Solo, Duo, and Group act types — with per-member profiles, certificate tracking, visa sections, and a custom block for your tech rider.
Related guides
PerformerCV editorial team
Written from the booking desk of Prime Line Agency — reviewing performer applications for cruise lines, shows, and international agencies.